INTIMACY COORDINATION FOR FILM TV WORKSHOP WITH DAVID THACKERAY

WORKSHOP FULL for waiting list please email filmlab@fest.pt ABOUT DAVID THACKERAY David Thackeray is an experienced Intimacy Coordinator. After training as an actor for five years and graduating from The Royal Central School of Speech and Drama, David transitioned into directing for stage, with one of his productions receiving critical acclaim and a transfer to London’s West End. His passion for storytelling soon led him into film and television, where he directed and produced an episode of Amazon Prime's Silent Eye. In 2017, David became one of the pioneering Intimacy Coordinators, a field that was still emerging at the time. He quickly established himself in the industry, working on a diverse range of high-profile productions across major platforms including Netflix, Disney, HBO, BBC, and Sky. His expertise has been integral to ensuring safe and respectful environments during the filming of intimate scenes, making him a sought-after professional in this area. David’s notable projects include the acclaimed TV series Sex Education (2020–2023), where he worked as an Intimacy Coordinator across 24 episodes, helping to navigate the show’s complex and sensitive themes. He also contributed to the global phenomenon Heartstopper (2022–2023), ensuring the portrayal of intimacy was both authentic and considerate across 16 episodes. His work on The Crown (2022) further cemented his reputation, bringing his expertise to one of the most watched and critically acclaimed series of the decade. David's recent projects include high-profile productions like The White Lotus (2022), Adolescence (2025), The Continental (2023), and Kaos (2024). He has also worked on upcoming titles like The Radleys (2024) and 3 Body Problem (2024), demonstrating his ongoing commitment to elevating the standards of intimacy coordination in the industry. His work is a testament to the importance of safety, respect, and collaboration in film and television, making him an invaluable asset to any production. David Thackeray experience speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB. WORKSHOP DESCRIPTION This intensive 2-day workshop on Intimacy Coordination for Film and TV offers a thorough exploration of the essential practices and techniques required to effectively manage intimate scenes on set. The workshop aims to equip participants with the knowledge and skills to ensure the safety, comfort, and creative freedom of all involved, while maintaining the highest standards of professionalism. Throughout the workshop there will be practical exercises for us to explore best practice of intimacy coordinating. Day 1: Understanding Intimacy Coordination Morning Session: Fundamentals of Intimacy Coordination Introduction to Intimacy Coordination: Learn about the role and responsibilities of an intimacy coordinator and why this position is crucial in today’s film and television industry. Creating a Safe Environment: Techniques and best practices for establishing a secure and respectful environment for actors during intimate scenes. Pre-Production Planning: How to integrate intimacy coordination into your pre production processes, including script analysis, casting, and rehearsals. Risk Management: Identifying and mitigating risks associated with intimate scenes, including legal and ethical considerations. Working with Actors: Techniques for building trust and ensuring actors feel safe and respected. Afternoon Session: Analysis of case studies Communication Strategies: Exploring effective communication strategies to ensure clear consent and comfort levels among actors and crew. Tools and Methodologies: Introduction to the various tools and methodologies used to ensure realistic yet safe portrayals of intimacy. Case Study : "Sex Education" Analysis of Intimate Scenes: An in-depth look at how intimacy coordination was crucial in the production of "Sex Education," examining the processes and challenges faced in choreographing intimate scenes. Lessons Learned: Discuss the outcomes and feedback from both the cast and crew on the implemented intimacy protocols. Case Study 2: "Industry HBO" Behind-the-Scenes: A breakdown of the intimacy coordination for "Industry," focusing on specific scenes and the strategies employed to address challenges. Impact Assessment: Evaluating the positive impact of intimacy coordination on the actors' performances and the overall production quality. Case Study 3: "3 Body Problem" Scene Analysis: Analyzing the intimate scene in "3 body problem" and the meticulous planning and coordination that ensured their success. Coordinator’s Perspective: Insights from the intimacy coordinator on the set about the complexities and solutions implemented. Day 2: Implementing Intimacy Coordination Morning Session: Practical Implementation Choreographing Intimate Scenes Detailed insights into choreographing intimate scenes, including the physical, emotional, and psychological aspects to consider. Live Demonstrations: Practical demonstrations of choreographing intimate scenes, allowing participants to observe and understand the coordinator's role in real-time. Interactive Exercises: Hands-on exercises where participants will develop and present their intimacy coordination plans for hypothetical scenes. Afternoon Session: Review Feedback and Discussion: Group discussions and feedback sessions to refine participants’ plans and address any questions or concerns. Conclusion: Moving Forward with Confidence Integrating Practices: Strategies for integrating intimacy coordination into your future projects to enhance actor safety and production quality. This workshop is an invaluable opportunity for producers and directors to deepen their understanding of intimacy coordination, ensuring that their projects are conducted with the highest levels of professionalism and respect for all involved. Participating in this workshop does not automatically qualify you to begin working as an intimacy coordinator. PROFILE OF PARTICIPANT The workshop designed for, Directors, Producers, Actors, Movement coordinators or filmmakers serious about a career in the Film Industry on the area WORKSHOP LOCATION Amsterdam, Netherlands Duration: 2 days 10:00 - 18:00 Dates: 26th - 27th of September 2026 Location: Amsterdam, Netherlands Price: 599EUR (429EUR Until 27th of August) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions Please add our address to your email safe senders list, address book or contact list to avoid FEST e-mails in spam. WORKSHOP FULL for waiting list please email filmlab@fest.pt

Film Financing in an Entrepreneurial Age ABOUT PAUL MILLER

Paul Miller is a producer, executive, and consultant working in the United States, Europe, and the Middle East. He is currently Head of Film at Madrid-based ISB Films. Miller frequently produces in the Middle East; his most recent film, Norah, premiered at Un Certain Regard at Cannes 2024. Previous regional films include Scales, which won the Verona Award for Innovation at the 2019 Venice Film Festival and was the Saudi submission for the 2021 Academy Awards. From May 2012 until October 2013, Miller was Director of Film Financing at the Doha Film Institute in Qatar. He oversaw a regional education training programme, a global grants fund, and managed an international film financing fund. Prior to this, Miller produced "The Birder’s Guide to Everything" (2013), directed by Rob Meyer, and "Babygirl" (2013), written and directed by Macdara Vallely, produced with Samson Films and the Irish Film Board. During this period, he also produced the feature-length documentary "Poor Consuelo Conquers the World" (2011) with Les Films d’Ici for ARTE, and executive-produced "The Man Who Drew the Future" with Una Films and ARTE. From 2002 to 2009, Miller was Head of Film Production at Crossroads Films, where he produced "Snow Angels", released by Warner Independent Pictures in 2008. The film was written and directed by David Gordon Green and starred Sam Rockwell and Kate Beckinsale. He also produced the Golden Globe-nominated "A Love Song For Bobby Long" (2004), starring John Travolta and Scarlett Johansson, released by Lionsgate Films. Earlier in his career, Miller worked on John Sayles’ features "The Secret of Roan Inish" (1994), the Academy Award-nominated "Lone Star" (1996), and the Golden Globe-nominated "Men with Guns" (1997). He also produced "Prozac Nation" (2001), directed by Erik Skjoldbaerg and starring Christina Ricci, Jessica Lange, and Anne Heche, released by Miramax. Educated in England, Miller is a graduate of the National Film and Television School in the U.K. He is a member and consultant with Paris-based Ateliers du Cinéma Européen (A.C.E.), Europe’s premier producers' association, and a member of the Directors Guild of America and the Producers Guild of America. You can find his full list of credits on https://www.imdb.com/name/nm0589158/ WORKSHOP DESCRIPTION

The Film Financing workshop will focus on the art of producing a film in our entrepreneurial age, where the means of manufacture and distribution are in flux and where finding your audience is key. The workshop will look at the how to develop, finance and complete a movie from the viewpoint of a creative producer. The workshop won’t be looking so much at the making of a movie more about setting off on the right track and finishing ahead of the game. The workshop will be practical and interactive, with participants also having the opportunity to assess the issues they encountered on their own films, and receiving the feedback to help similar situations in the future. Participants should be prepared to discuss an unproduced project that has been previously developed by them to the point of a first draft screenplay. The project doesn't have to be an active project, just an idea that the participant can use in the workshop. The scripts will not be read or shared during the workshop. If the participant doesn't have one, then an idea that has been developed to treatment stage is also sufficient. For each film idea, the participants should also think of a director, lead cast, location, budget range and core audience.In addition, each participant should be prepared to informally pitch a recent idea based on a recent news article or event. These pitches will involve other participants role playing as potential buyers. The topics covered in the workshop: A. THE BEGININGS: Ideas: Auteur vs. Industry/Art vs. Culture/Writer-Directors, Budget/Audience Developing your Pitch: the Elevator Pitch/Longer Pitch Pitching to a writer and director, pitching to investors Partnering with another producer Logline Synopsis B. FIRST STEPS Assembling a Creative Team and making a few Key Decsions: Commissioning a Writer Choosing a Director The Filmmaking Triad: Director/Writer/Producer Hollywood vs. Europe Packaging of Talent: agents, managers and lawyers and casting directors Location of the Filming Screenplay Rights and Collaboration Agreements: Property Rights: Copyright/Chain of Title Screenplay Rights: Option/Purchase Agreements Underlying rights: articles, books, life rights, etc. Creative Team Agreements: Short Form/Long-form Contract: Director Agreement Producer Agreement Writer Agreement Producing Partnerships Development Budget Casting: Cast Lists, Casting Directors Securing Cast Actor Agreements: Major Deal Points (Upfront/Contingent Compensation, Deferments, Profit Participation: Gross vs. Net The Glory of Schedule ‘F’. C. MARKETING AND DISTRIBUTION RESEARCH AND BOX OFFICE COMPARABLES Box Office Comparables: including budget, domestic, overseas and worldwide revenue and any known ancillary revenue, year of release, distributor and maximum # of screens Marketing and Distribution Plan, Film Festivals, Distributors and Sales Agent D. FINANCING Revenue Flow -Theatrical and Ancillary Rights: Domestic and Foreign BO, Domestic and Foreign Ancillary Rights Revenue Projections ‘The Waterfall’ Estimating revenue based on Box Office: low, medium and high Budget/Financing - Financing Sources: Equity, Pre-sales, gap financing, loans and soft money E. BUSINESS PLAN How to Create a Business Plan for Your Film: Executive Summary Overview of Industry Investor Return/Deal Comparables Projections Revenue Stream ROI F. MAKING YOUR FILM BETTER AFTER THE SHOOT Post-Production Decisions: Improving the picture edit Composer, Music and Music Rights: Sync and Master Use Licenses, Rights Clearance for Publicity and Festivals, Royalty-free Music, Composer/Score, Cutting Edge) Test Screenings (friends, film professionals and NRG screenings) Deliverables G. INTO THE WORLD: MARKETING AND DISTRIBUTION Who is your audience? Precedents/Box Office Comparables Demographics: age, race, location, gender, socio-economic class, religion, education, consumer tastes, musical tastes, sports identification, hobbies, politics, occupation, exercise habits, food habits, etc. Influencers How will you reach the potential audience for your movie? Promotion: P & A Fund, Producer of Marketing and Distribution, Supporting Materials Marketing: Social Media, Press, Publicist, Website, Blogs, Word of Mouth Release Plan Film Festivals Film Markets Theatrical: Distributor or DIY Non-theatrical VOD Community Screenings Direct Selling PROFILE OF PARTICIPANT

The workshop is designed for: Film Producers, Investors, Film Financiers, Directors, and filmmakers serious about a career in the Film Business on the area of film production or film financing. WORKSHOP LOCATION Madrid, Spain 16 hours Duration: 2 days Dates: 3-4 October 2026 Location: Madrid, Spain Price: 599EUR (429EUR until 25th of August) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions Please add our address to your email safe senders list, address book or contact list to avoid FEST e-mails in spam. REGISTER FOR THIS WORKSHOP ON THE LINK BELOW:

DOCUMENTARY EDITING WORKSHOP WITH CHRIS KING ABOUT CHRIS KING, A.C.E. Chris King, A.C.E. is one of the most respected documentary editors working today. A BAFTA-winning editor and two-time American Cinema Editors Award winner, King has been a key creative collaborator on some of the most acclaimed documentaries of the last two decades Chris has edited documentaries such as Senna, Amy, Exit Through the Gift Shop, Diego Maradona, All This Mayhem, Young@Heart, and Welcome to Lagos. A major milestone in King’s career came with Senna. The film became a landmark in archive-led documentary cinema, building the life and career of Ayrton Senna into a dramatic, emotional and cinematic experience. Chris won the BAFTA Award for Best Editing for Senna, the only time in the history of the BAFTA a documentary won the Best editing award. Senna also won the BAFTA Award for Best Documentary, and became one of the defining documentary releases of its period. King continued his collaboration with Asif Kapadia on Amy, the documentary portrait of Amy Winehouse. Edited by King, the film became one of the most awarded documentaries of the 2010s. It won the Academy Award for Best Documentary Feature, the BAFTA Award for Best Documentary, and the Grammy Award for Best Music Film. King also won the ACE Eddie Award for Best Edited Documentary. The film’s power lies on the strength of its archive, and the sensitivity of its structure, allowing the audience to gradually understand Winehouse as artist, daughter, performer, friend and public figure, while revealing the pressures surrounding her. King’s work on Exit Through the Gift Shop, directed by Banksy, further demonstrates his ability to handle documentaries where truth, performance, authorship and ambiguity collide. The film was nominated for the Academy Award for Best Documentary Feature, became a major critical success, and won the ACE Eddie Award for Best Edited Documentary. Chris edited Diego Maradona, a large-scale archive-driven portrait constructed from over 500 hours of never-before-seen footage from Maradona’s personal archive. The film premiered at the Cannes Film Festival. King has contributed to a broad and distinguished range of documentary work. He edited All This Mayhem, directed by Eddie Martin, for which he won the AACTA Award for Best Editing in a Documentary. He also edited Young@Heart, directed by Stephen Walker, and Welcome to Lagos, the acclaimed BBC factual series directed by Gavin Searle, which won the BAFTA Television Award for Best Factual Series. What makes King’s work particularly important is his command of structure. In documentary filmmaking, the film is often written in the edit, and King’s career is a masterclass in discovering narrative inside reality. His editing demonstrates how to find a story spine in overwhelming amounts of material, how to create character arcs from fragments, how to balance authenticity with dramatic momentum, and how to build emotional escalation without losing truth. WORKSHOP DESCRIPTION SHAPING REALITY: DOCUMENTARY EDITING WORKSHOP WITH CHRIS KING This two-day FEST FILM LAB workshop with award–winning editor Chris King is designed for editors and filmmakers who want to refine their skills in building powerful, nuanced, and emotionally resonant documentary narratives. The sessions focus on the decision-making processes, structural strategies, and creative problem-solving techniques used at the highest level. Participants will explore how to find clarity and focus within vast amounts of material, shape narrative flow, and collaborate effectively under the demands of real-world production schedules and creative pressures. DAY 1 – STRUCTURING AND SHAPING THE NARRATIVE Morning: Narrative Strategy and Story Architecture Defining the editorial approach: thematic, linear, or hybrid structures. Balancing authenticity with dramatic drive to maintain audience engagement. Identifying the essential story spine and supporting it through every sequence. Managing multi-character or multi-timeline stories without losing clarity. Afternoon: Rhythm, Pacing, and Perspective Building emotional arcs over the course of acts and entire films. Controlling tempo shifts to heighten tension or deepen intimacy. Using point of view as a storytelling tool to guide audience perception. Maintaining tonal and visual consistency when combining varied sources. DAY 2 – PROBLEM-SOLVING AND ELEVATING THE EDIT Morning: Creative and Logistical Challenges Reconstructing narratives when key footage is missing or unusable. Recognising when the original structure no longer serves the material. Working with incomplete or contradictory information while preserving credibility. Navigating high-stakes collaboration with directors, producers, and broadcasters. Afternoon: Fine-Tuning for Maximum Impact Refining micro-rhythms, transitions, and scene endings for emotional precision. Using music, sound design, and silence to reinforce structure and emotion. Preparing multiple versions of the same film for different platforms and audiences. Building a final cut that balances creative vision with delivery requirements. By the end of the workshop, participants will have a understanding for handling the creative, technical, and collaborative demands of high-level documentary editing. They will gain strategies for structuring complex stories, refining narrative flow, and making editorial decisions that elevate the emotional and cinematic power of their work. PROFILE OF PARTICIPANT This workshop is designed for editors, documentary filmmakers, directors, producers, assistant editors, and professionals working in factual, documentary, television, or independent cinema who want to deepen their understanding of documentary editing at a high professional level. It is particularly suited for participants interested in story structure, archive-led storytelling, character development, rhythm, pacing, collaboration with directors, and the process of shaping complex real-life material into powerful cinematic narratives. WORKSHOP LOCATION London, UK Duration: 2 days 10:00 - 18:00 Dates: 10th - 11th of October 2026 Location: London, UK Price: 599GBP (399GBP Until 20th of August) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions Please add our address to your email safe senders list, address book or contact list to avoid FEST e-mails in spam. REGISTER FOR THIS WORKSHOP ON THE LINK BELOW