FEST FILM LAB WORKSHOP

Choreography and Movement Direction in Film with Francesca Jaynes

Francesca Jaynes 16 Jan - 17 Jan 2027 In Person London, UK — University of Greenwich
Open for Registration

GBP 599.99 GBP 399.99

until 18 November 2026.

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Retrato de Francesca Jaynes

ABOUT FRANCESCA JAYNES

Francesca Jaynes has been a Choreographer and Movement Director in the film industry for over 25 years. Her work is incredibly diverse, ranging from movement in “A.I. Artificial Intelligence” and “Gravity” to musical films such as “De-Lovely” and “Muppets Most Wanted”.

She has worked with top directors on both sides of the Atlantic, including Mike Leigh, Steven Spielberg, Tim Burton, Joss Whedon, Ron Howard, Michael Winterbottom, and Mike Newell, and with a host of stars such as Judi Dench, Dustin Hoffman, Sandra Bullock, Andy Serkis, Christoph Waltz, Tina Fey, Jude Law, Keira Knightley, and Kevin Kline.

Francesca has recently contributed to the Disney’s adaptation of “Pinocchio,” directed by Robert Zemeckis and starring Tom Hanks. She also lent her talents to Marvel Studios’ “Black Widow,” directed by Cate Shortland, working with Scarlett Johansson and Rachel Weisz.

Additionally, she worked on Ridley Scott’s “Napoleon,” featuring Joaquin Phoenix and Vanessa Kirby, . In “Firebrand,” directed by Karim Aïnouz and starring Jude Law and Alicia Vikander, She also recently contributed as a choreographer to the series “House of Dragon”.

In addition to a wide-ranging CV in film, she works regularly in the theatre in musicals, opera, and plays, and also in television drama.

For a complete look at her career to date, please visit www.francescajaynes.com

WORKSHOP DESCRIPTION

CHOREOGRAPHY AND MOVEMENT IN FILM

Work in dance and movement in film can be an ever-changing and diverse experience. This is what makes it exciting! But it’s also what makes it extremely challenging. The top people in the industry have a vast range of skills (ballet, tap, historical dance, contemporary social dance, etc) and must always be ready to adapt and change to best serve their director and the film.

Within this two-day exploration of the discipline, we’ll look at the complete process of working in dance/movement on a film production, from initial meetings with producers and directors, to casting, rehearsals, and ultimately filming. There are a host of details and elements that need to be considered at each stage of the process, in addition to the actual creation of the work.

With discussions, Q and A’s, and practical ‘on your feet’ workshops, we’ll explore the myriad of fun and challenging scenarios that can present themselves on a variety of job assignments.

Topics will include:

Different approaches for different films, Genres, and directors;

How does the dance/movement fit into the narrative of the film and/or scene;

Relationships with other departments (Directors, Assistant Directors, Costume Departments, Sound Departments, Art and Props Departments);

Practical sessions in creating and filming the work (historical dance, etc); Actors, dancers, and Muppets – working with differing levels of skills, abilities, and comfort zones.

PROFILE OF PARTICIPANT

The workshop designed for, choreographers, dancers, Actors, and Directors, who can directly benefit from the knowledge and know how presented on this workshop. The workshop is also suited to different profiles, such as cinematographers, Art Directors, who will directly work with Choreographers and Movement Directors, and can improve their work by knowing how to interact with this department in a more effective way. The workshop is also suitable for filmmakers interested in establishing in Film Business on the area of Choreography and Movement Direction.

LOCATION OF THE WORKSHOP

London, UK — University of Greenwich

16 hours
Duration: 2 days
Dates: 16-17 January 2027
Location: London, UK — University of Greenwich
Price: GBP 599.99. Special registration rate: GBP 399.99 until 18 November 2026.
Maximum number of participants: 25
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FUNDING AND FINANCIAL SUPPORT

You may be able to claim a full or partial refund of your workshop fee through an external funding programme.

UNITED KINGDOM

ScreenSkills — UK-Wide Training Bursaries

Applicants aged 18 or over who have the right to work in the UK, hold a UK bank account and work or intend to work in the UK screen industries can apply for practical training. Maximum awards are £750 at entry level, £1,500 in early career and £2,000 for experienced or expert professionals. Workshop fees, travel and accommodation may qualify. Actors, voice-over artists, presenters, performers and current students are excluded. Apply between two weeks and three months before the workshop. ScreenSkills bursary guidelines

Northern Ireland Screen — Skills Fund

Northern Ireland residents currently working in the local independent screen sector, with at least one year of experience, may apply for up to 75% of the course fee, capped at £2,000. Send your CV, course details and costs to Northern Ireland Screen at least three weeks before the workshop. Confirm current funding availability and the proposed location with the agency. Skills Fund details in the Mid Ulster Council funding directory, section 13.4

Screen Scotland — Screen Professional Development Fund

Scotland-based film and television freelancers with at least two to three professional credits can apply for £250 to £5,000 towards training in the UK or abroad. Eligible costs include the workshop fee, economy travel, accommodation and subsistence of up to £30 per day. Applicants must contribute at least 10%, in cash or in kind. Apply at least two weeks before the workshop. Screen Scotland funding guidelines and application

OTHER COUNTRIES

Explore the opportunities available in other countries and check the eligibility requirements.

Register for this workshop

Open for Registration

GBP 599.99 GBP 399.99

until 18 November 2026.