FEST FILM LAB WORKSHOP

Sound Editing with Nina Hartstone

Nina Hartstone 27 Feb - 28 Feb 2027 In Person London, UK — University of Greenwich
Open for Registration

GBP 599.99 GBP 399.99

until 26 November 2026.

Register / Book Now
Nina Hartstone com o prémio BAFTA

SOUND EDITING WORKSHOP WITH NINA HARTSTONE

ABOUT NINA HARTSTONE

Nina Hartstone is an Oscar-winning Sound Editor with over 25 years of experience in the film industry. Her illustrious career includes work on feature films such as “Evita,” “The Hours,” “Gravity,” “Everest,” “Beauty and the Beast,” and “Mowgli.” Notably, her exceptional skills were instrumental in the sound editing of “Bohemian Rhapsody,” for which she received both an Oscar and a BAFTA award, highlighting her as a leading figure in her field.

Recently, Hartstone has worked on “Moonage Daydream” and “I Wanna Dance with Somebody,” both of which have already been released to critical acclaim. She also worked on “Saltburn,” directed by Emerald Fennell.

Nina Hartstone has contributed her skills to an impressive array of feature films, working alongside some of the most distinguished directors in the industry such as Alan Parker, Stephen Daldry, Alfonso Cuarón, Baltasar Kormákur, Bryan Singer and many more.

Residing in Windsor, U.K., with her husband, three children, and two cats, Hartstone remains at the forefront of her profession, consistently demonstrating her expertise and passion for sound editing in feature films.

Nina Hartstone’s experience speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB.

WORKSHOP DESCRIPTION

In this two-day workshop, Oscar-winning sound editor Nina Hartstone explores the art and practice of sound editing for film. With a group limited to 25 participants, the sessions offer room for discussion of challenges from participants’ own projects and practical approaches to future work.

Pre-Production Planning

  • testing workflow
  • liaising with the Sound Mixer
  • logistics for sound on set including music playback if required
  • director’s vision for final sound track

Production Sound: Making the Most of Every Opportunity

  • making the most of unique opportunities on set
  • Wild Tracks
  • SFX
  • Location ambiences

Director’s Cut: beginning Post Production

  • handover from Production Sound Mixer
  • supplying sounds to editorial
  • supplying music to editorial
  • improving production sound for the Avid tracks
  • temp ADR
  • workflow with Editorial
  • turnover elements

First Temp Mix / Test Screening

  • crewing up
  • target audience
  • screening location and sound quality
  • managing expectations
  • how to mix (Avid or stage)
  • Avid tracks or all mics
  • temp Foley
  • temp SFX
  • temp ADR
  • temp Music
  • how they can become the finished product
  • stems to go back into the Avid
  • workflow of Avid tracks moving forward

Finding the Cut

  • managing new cuts
  • improving the sound throughout picture edit
  • editing production dialogues
  • planning for ADR / Crowd / Foley / FX and Music recordings
  • source music requirements
  • sound editorial track lays
  • ADR tips and tricks
  • making choices for the mix
  • preparing alternatives

Preparing for the Mix

  • liaising with the Re-recording mixers
  • Track layout
  • Separation of stems
  • Mixing in Atmos
  • Score recording

Premixing and Mixing

  • planning your premixes
  • maintaining flexibility with the tracks
  • Getting the overview of all the sound and music elements
  • Mix reviews

Deliverables

  • planning time for all versions
  • QC ing
  • M+E
  • TV Airline Version

Politics

  • different roles and their responsibilities
  • managing different personalities
  • being open to other creative ideas
  • talking through logistics and problem solving
  • working as a team
  • building up a client base/securing the next gig
  • coping with long hours

PROFILE OF PARTICIPANT

The workshop is designed for sound editors, music editors, ADR editors, sound mixers, and filmmakers pursuing a career in film sound. It is also suited to producers and directors who want to better understand the sound process, collaborate more effectively with their sound teams, and explore how sound can strengthen their storytelling.

WORKSHOP LOCATION

London, UK — University of Greenwich

Duration: 2 days
Time: 10:00–18:00 (London time)
Dates: 27–28 February 2027
Location: London, UK — University of Greenwich
Price: GBP 599.99 (special registration rate GBP 399.99 until 26 November 2026)
Maximum number of participants: 25

FUNDING AND FINANCIAL SUPPORT

You may be able to claim a full or partial refund of your workshop fee through an external funding programme.

UNITED KINGDOM

ScreenSkills — UK-Wide Training Bursaries

Applicants aged 18 or over who have the right to work in the UK, hold a UK bank account and work or intend to work in the UK screen industries can apply for practical training. Maximum awards are £750 at entry level, £1,500 in early career and £2,000 for experienced or expert professionals. Workshop fees, travel and accommodation may qualify. Actors, voice-over artists, presenters, performers and current students are excluded. Apply between two weeks and three months before the workshop. ScreenSkills bursary guidelines

Northern Ireland Screen — Skills Fund

Northern Ireland residents currently working in the local independent screen sector, with at least one year of experience, may apply for up to 75% of the course fee, capped at £2,000. Send your CV, course details and costs to Northern Ireland Screen at least three weeks before the workshop. Confirm current funding availability and the proposed location with the agency. Skills Fund details in the Mid Ulster Council funding directory, section 13.4

Screen Scotland — Screen Professional Development Fund

Scotland-based film and television freelancers with at least two to three professional credits can apply for £250 to £5,000 towards training in the UK or abroad. Eligible costs include the workshop fee, economy travel, accommodation and subsistence of up to £30 per day. Applicants must contribute at least 10%, in cash or in kind. Apply at least two weeks before the workshop. Screen Scotland funding guidelines and application

OTHER COUNTRIES

Explore the opportunities available in other countries and check the eligibility requirements.

Register for this workshop

Open for Registration

GBP 599.99 GBP 399.99

until 26 November 2026.