PETER WEBBER FILM DIRECTING Workshop 16-19 of December 2024 Online
MELISSA LEO ACTING Workshop 28-31 January 2025 Online
MICK AUDSLEY
2 days HOURS
01/02 . 06 . 2019
LOCATION: London UK
PRICE: 499GBP (349GBP Until 24th of May)
VACANCES: 25
CONTACT: filmlab@fest.pt
MICK AUDSLEY EDITING WORKSHOP
Mick Audsley is one of the leading feature film editors in activity. His career includes over 50 titles across film and television, as well as collaborations with directors such as Stephen Frears, Terry Gilliam, Mike Newell and Neil Jordan and working on films such as "Interview with the Vampire" "12 Monkeys" "High FIdelity" "Harry Potter and the Goblet of Fire" or more recently "Everest".
After completing his postgraduate at the Royal College of Art film school, Mick Audsley began his film editing career at the British Film Institute Production Board, where he worked with writer director Bill Douglas cutting the final film of Douglas’ autobiographical trilogy My Way Home.
What was to become an extensive collaboration with Stephen Frears began with Walter (1982, a TV movie starring Ian McKellen). His work with Frears continued since, and has brought Audsley a nomination for the BAFTA Award for Best Editing for Dangerous Liaisons (1988), as well as a BAFTA TV Award (Best Film or Video Editor Fiction/Entertainment) for The Snapper (in 1993).
Audsley has had a comparably extended collaboration with director Mike Newell, including Harry Potter and the Goblet of Fire (2005).
His collaboration with Terry Gilliam include editing Twelve Monkeys (starring Bruce Willis and based on Chris Marker’s La Jeteé) and, more recently, the critically acclaimed The Zero Theorem (in 2013).
Mick Audsley also edited Interview with the Vampire: The Vampire Chronicles (directed by Neil Jordan, 1994), High Fidelity (directed by Stephen Frears, 2000) and, most recently, Everest, working with Icelandic director Baltasar Kormákur.
Mick’s work also include supervising editing and editing consulting for features, as well as shorts and TV series.
Mick is right now one of the most accomplished and sought of editors in activity, and will surely deliver a wonderful workshop based on his extensive knowledge of the subject.
WORKSHOP DESCRIPTION
ONLY 4 PLACES LEFT
ABOUT MICK AUDSLEY
Mick Audsley is one of the leading feature film editors in activity. His career includes over 50 titles across film and television, as well as collaborations with directors such as Stephen Frears, Terry Gilliam, Mike Newell and Neil Jordan and working on films such as "Interview with the Vampire" "12 Monkeys" "High FIdelity" "Harry Potter and the Goblet of Fire" or more recently "Everest".
After completing his postgraduate at the Royal College of Art film school, Mick Audsley began his film editing career at the British Film Institute Production Board, where he worked with writer director Bill Douglas cutting the final film of Douglas’ autobiographical trilogy My Way Home.
What was to become an extensive collaboration with Stephen Frears began with Walter (1982, a TV movie starring Ian McKellen). His work with Frears continued since, and has brought Audsley a nomination for the BAFTA Award for Best Editing for Dangerous Liaisons (1988), as well as a BAFTA TV Award (Best Film or Video Editor Fiction/Entertainment) for The Snapper (in 1993).
Audsley has had a comparably extended collaboration with director Mike Newell, including Harry Potter and the Goblet of Fire (2005).
His collaboration with Terry Gilliam include editing Twelve Monkeys (starring Bruce Willis and based on Chris Marker’s La Jeteé) and, more recently, the critically acclaimed The Zero Theorem (in 2013).
Mick Audsley also edited Interview with the Vampire: The Vampire Chronicles (directed by Neil Jordan, 1994), High Fidelity (directed by Stephen Frears, 2000) and, most recently, Everest, working with Icelandic director Baltasar Kormákur.
Mick’s work also include supervising editing and editing consulting for features, as well as shorts and TV series.
Mick is right now one of the most accomplished and sought of editors in activity, and will surely deliver a wonderful workshop based on his extensive knowledge of the subject.
WORKSHOP DESCRIPTION
Saturday
Introduction of the participants to Mick, the participants will then be showed some clips of the work made by Mick Audsley. How to edit your characters/ actors and performance (practical examples
How to employ narrative techniques to create tension.
How to serve the narrative through effective editing.
Focus on how to help the story flow through the editing, and best processes.
Topics include the following:
analyzing some choices and options made in some of his works, generally sharing experiences of editing in the industry.(problem solving and good decisions)
How to apply the craft in different genres. The impact of genre on editing styles
Influence of great films, film history to help work. (musicals, horror, thriller, Shakespeare, study )
Sunday
Technical aspects of the job - looking at recent project showing workflow.
Low budget, high budget?
How to work with sound, music and special effects.
Practical exercise. The participants will be given footage (a small scene) to work two weeks before the workshop, all participants will show their work at the workshop, the group will then analyze each editing, and learn from each other’s work. Mick will give his insight on each edited version of the footage. The participants should at the end be self-conscious of their editing choices, as well as aware of the other options taken by the other participants.
The relationship with the Director, DOP, Producer and other members of the film crew.
How to be a part of the whole process of film and television production and not merely as the final stage, becoming collaborators, not just efficient technicians.
The market reality for Editors, Agents, Rates, and finding your own work
NOTE: this workshop will not teach you about specific softwares, but instead it will enhance the capacity to edit in your mind, before you actually use your tools. It is about your decisions, your choices and your options as an editor.
PROFILE OF PARTICIPANT
The workshop designed for Editors, Directors, Sound Editors, Film Students, or anyone interested in entering the Film Business on the area of Editing
WORKSHOP LOCATION
London, UK
Duration: 2 days
Dates: 1-2 June 2019
Location: LONDON UK
Price: 499GBP (349GBP Until 24th of May)
Maximum number of participants: 25
By registering to the workshop you agree with FFL terms and Conditions
All communications and confirmations will be sent to the email you use while making your workshop payment. If you wish to receive in another email please inform us on filmlab@fest.pt