ABOUT PETER WEBBER Peter Webber has had a diverse career as a director of film, television and documentaries including the critically renowned ˜Girl with a Pearl Earring™ and the HBO series "Six Feet Under". Peter is perhaps best known for his film directorial debut ˜Girl With a Pearl Earring", the film adaptation of Tracey Chevalier's bestselling novel. The film tells the story of the creation of the famous painting by Dutch master Johannes Vermeer of the same name. The film saw Peter directing Scarlett Johansson and Colin Firth as the films leads. Released in 2004 the film went on to be nominated for no less than 3 Academy Awards, 10 BAFTA nominations as well as numerous other honours. Webber was then tapped by Dino de Laurentis to direct "Hannibal Rising". Based on Thomas Harris upcoming new book of the same name, and starring Gaspard Ulliel, Li Gong and Anthony Hopkins, In 2012 Peter directed the Feature Film "Emperor", Starring Tommy Lee Jones, and Mathew Fox. Peter has also directed the Netflix Original Pickpockets (2018). His documentary work includes the award-winning environmental feature documentary Ten Billion (2015) and Earth: One Amazing Day (2017), narrated by Robert Redford and Jackie Chan. Webber's most recent productions include the "Kingdoms of Fire" (2019), television series, which takes viewers back to the past as the Ottoman Empire seeks to conquer Cairo, as well as the documentary "Inna de Yard" (2019), a portrait of the pioneers of reggae music in Jamaica Peter Weber's experience speaks for itself and guarantees the high standards our participants have come to expect from FEST FILM LAB. WORKSHOP DESCRIPTION Pete Webber's workshop will focus on a diversity of topics relating to the art of directing for film. You will have the chance to not only receive this knowledge from a very revered professional, but also to interact strongly, as the group will have up to 25 participants, making it extremely practical and interactive. You will also have the opportunity to assess the issues you encountered on your films, and receive the feedback to unblock situations in the future. The workshop will also cover the following: - THE ESSENCE OF THE CRAFT - Film History is your friend; Developing a hinterland; Auteur versus Industry – the realities of the business; DIY - low budget approaches; The writer/director conundrum; The genius myth; Understanding your abilities. - GETTING THERE - Looking at the steps before you go into production; The development process; Raising finance; Producers and writers; Hollywood versus Europe; Agents/managers/lawyers; The One Hour Meeting. - PREPPING - Aesthetic overview – the look and the story; Crewing up; Casting and auditioning; Location hunting; Rehearsing/working with actors before the shoot; Storyboarding; How to work with: Art department; Costume; Camera; Assistant directors; Planning for Digital VFX. - SHOOTING - The politics – picking your battles; The fear; Planning your day; Blocking the scene; Shotlists; Storyboards on set; Shooting strategy; Blocking the scene; The Master shot trap; The second unit. - POST PRODUCTION - Working with an editor; Digital VFX in post; Guide music; Working with a composer; Test screenings; ADR; Sound Design; Grading; The final sound mix; Test screenings. - INTO THE WORLD - Film Festivals; The Press; The Internet and Social Media. PROFILE OF PARTICIPANT The workshop designed for Directors, Film Students, and filmmakers serious about a career in the Film Business on the area of Film and TV Directing. WORKSHOP LOCATION The workshop will take place online, FEST FILM LAB has always been a project of high level knowledge sharing and networking. -The workshop group will have a limited number of 25 participants. - We will maintain the tailor made aspects, with the possibility of troubleshooting projects you have been involved or challenges you are facing. We will introduce new tools to enhance the interactivity between participants. - We have rearranged the session of the workshop that will take place on 4 days instead of the typical 2 days, so that the workshop is less overwhelming, as the typical two full days online would impact the capacities of the participants to retain the learning outcomes. 16 hours Duration: 4 days Dates: 21st to the 24th of April 2026 1PM - 5PM (London) 2AM - 6PM (Brussels) 5PM - 9PM (Dubai) 8AM - 12PM (New York) 9PM - 1AM (Beijing) 6:30PM - 10:30PM (New Delhi) 10AM - 2PM (Rio de Janeiro) 11PM - 3AM (Sydney) Location: Online Price: 599EUR (374EUR with 40% Discount until the 7th of April) Maximum number of participants: 25 By registering to the workshop you agree with FFL terms and Conditions Please add our address to your email safe senders list, address book or contact list to avoid FEST e-mails in spam. REGISTER FOR THIS WORKSHOP ON THE LINK BELOW:

Nancy Bishop is an award winning American casting director, based in London. In her over twenty-year career, she has cast over one hundred projects, working for most of the major studios, networks and streamers. Credits include MissionImpossible IV, Snowpiercer and Borat Subsequent Moviefilm (for which she won a CSA Artios award.) She was the founder and first president of the CSA/European Branch. She has written three books on auditioning, the most recent published by Bloomsbury: “Auditioning for Film and TV, in the post metoo era.” ABOUT CAPRICE CRAWFORD Caprice Crawford is an American international talent agent, producer and actress and the founder of Crawford Talents in Berlin. Her acting credits include Girl You Know It’s True, Maxton Hall and Nash Bridges. As a producer, she was behind Bitten Soon, which screened at the Cannes Film Festival, and Limbo, which received a Cannes nomination. ABOUT JO MONTEIRO CSA Based in Portugal, Jo Monteiro collaborates on international film and television productions across the United States, Germany, Spain, France, Turkey, and Italy, moving between major studio projects such as Gloria for Netflix—broadcast in 190 countries and awarded a Portuguese Golden Globe for Best Actor—and independent films. Her time living in Belgium, Dubai, and Sweden has enriched her cinematic vision with diverse cultural influences. Before focusing exclusively on fiction, she cast over 300 commercials. Her casting expertise is grounded in more than twelve years of hands-on filmmaking experience as an Assistant Director. She studied Film Studies at Université Libre de Bruxelles (Belgium) and recently directed the TV film O Aplaudido Dramaturgo Curado Pelas Pílulas Pink for the Portuguese public broadcaster RTP, as well as two short films, Animals and Borealis. WORKSHOP DESCRIPTION: AUDITIONING FOR FILM AND TV This two-day intensive workshop offers a fun, dynamic and highly informative environment for actors looking to refine their craft and develop an international career. Participants will have the opportunity to practise essential on-camera audition skills, with a special focus on self-taping, a crucial step in today’s global casting landscape. Before the workshop, actors will choose and self-tape one of several provided scenes. During the sessions, Nancy Bishop, Caprice Crawford and Jo Monteiro will offer personalised feedback on scene work, self-tapes, demo reels and headshots. The class integrates a range of audition-focused exercises, including cold reading techniques, an approach developed and refined by Nancy Bishop. Actors will also work on strategies for identifying strong choices and clear objectives when approaching a new text. Each instructor contributes complementary expertise: Nancy Bishop reviews self-tapes and introduces cold-reading tools. Caprice Crawford provides feedback on promotional materials and offers guidance on how to get an agent. Jo Monteiro leads practical on-camera exercises. An open Q&A will help participants navigate the professional landscape with clarity and confidence. By the end of the workshop, actors will leave with actionable techniques, increased confidence, and the tools to approach international casting opportunities with professionalism and ease. PROFILE OF PARTICIPANT The workshop designed for Actors, acting students, directors, casting directors, Film Students, or professionals interested in the Film Business on the area of Acting. PRACTICAL DETAILS Location: Valencia, Spain Dates: 6-7 June 2026 Duration: 2 days Price: 499EUR (349EUR with 35% discount until the 2nd of April) Maximum number of participants: 48 By registering to the workshop you agree with FFL terms and Conditions. Please add our address to your email safe senders list, address book or contact list to avoid FEST e-mails in spam. REGISTER FOR THIS WORKSHOP ON THE LINK BELOW:

You’ve no doubt heard the claim that "A poet needs a pen, a painter a brush, and a filmmaker an army." Well, with the advent of AI-generated film, we’re approaching the time when a filmmaker just needs to sit at their computer and get access to AI to make their film. You may be able to “write” your entire film the way you can write a script - creating “performers”, action and location, alone with your computer. We’re not there yet - but this course will help you see where we are now. This intensive weekend workshop will take you through the complete pipeline of AI-assisted filmmaking, from initial concept to finished production. By the end of this course, you will have created your first pieces of AI-generated video and gained hands-on experience with the latest cutting-edge AI image and video tools currently available. Are AI tools perfect? No. Things which are easy to film - two people speaking in a room - can be very hard or impossible to do well in AI. By contrast, things that are very hard to film for real - a 19th century dock scene with working steam trains and tall sailing ships - can be done very easily in AI. You’re not making a film in five years’ time - you’re making a film now. So we will show you what you need to know now, warts and all. Do you need technical skills to participate? No. But it is helpful if you have some basic familiarity with using AI. We will focus on accessible tools that are easy to use for non-technical people, not complex systems requiring coding experience. You will have the chance not only to learn these cutting-edge techniques but also to interact in a very direct way, as the group will have up to 25 participants, making it highly practical and interactive. The workshop will be hands-on, with participants working on their own material throughout the weekend. Depending on the scale and complexity of your vision, you may not complete your short film by the end of the workshop, but you will have the knowledge you need to continue independently. WORKSHOP CURRICULUM PRE-WORKSHOP: SCRIPT DEVELOPMENT Two weeks before the in-person course, we conduct a 1-hour Zoom call exploring how to use an AI system for scriptwriting and development, including ways to shape the writing style and improve creative output. We’ll also look at successful AI films and current limitations to help you prepare your script in advance. FOUNDATIONS: PROMPTING AND IMAGE GENERATION Using an LLM to help generate advanced prompts for image creation. Fundamentals of creating compelling images from text. Understanding the strengths, limitations and quality-control issues of AI image generation. Considering your "shooting ratio" - how many images you may need to create to get the one you really want. CHARACTER CONSISTENCY AND VIDEO GENERATION Building character consistency across multiple angles and shots. Creating character libraries. Generating video from still images and text. Managing challenges with voice, continuity and performance control. Understanding video "shooting ratio" and costs. ENHANCEMENT AND POST-PRODUCTION Refining and improving AI-generated images and video. Making footage feel more realistic and production-ready. Preparing material for further video generation and editing. Understanding the critical importance of human oversight in the edit, and why AI systems still give imperfect results that need human judgement. FINISHING AND MUSIC Adding music and sound. Final editing and delivery considerations. ETHICS AND POLITICS: AI AS A HISTORICAL MILESTONE AI represents a major milestone in human history which will have a major impact on all our lives. AI films are very unpopular with some people - so if you describe yourself as an AI filmmaker, you will likely be challenged about AI ethics. We won’t push a particular viewpoint, but we will explore the key questions so you can articulate your own position on these issues. SUBSCRIPTIONS To get the most from this workshop, participants should be prepared to subscribe to suitable AI image and video services. We may also provide shared access to certain tools during the workshop where appropriate. ABOUT MARTIN PERCY Martin Percy is a British director celebrated for his pioneering work in interactive cinema, virtual reality, and the creative use of artificial intelligence in film. A graduate of King’s College, Cambridge, Percy has built a career defined by experimentation with new forms of storytelling that actively involve the audience, merging narrative, technology, and participation.

His breakthrough came with Lifesaver (2012), an interactive crisis simulator that won a Grand Clio Award, a Webby Award, and received a BAFTA nomination. The project, which featured Daisy Ridley in her first professional role, established Percy as a leading figure in interactive film. He later expanded this format with Heart Class (2019), which won an Emmy in the United States, and CardiacCrash (2023), a Canadian project that won three Webby Awards and was nominated for the Canadian Screen Awards.

Percy has collaborated with some of the most respected institutions in the world, including the Tate Modern, the British Film Institute, the National Theatre, and the Asian Art Museum of San Francisco. His projects have often brought together acclaimed actors such as Sir Ian McKellen, Sir Derek Jacobi, and Daisy Ridley, combining high-profile talent with cutting-edge interactive design. His VR project Virry VR (2017), filmed at Lewa Wildlife Conservancy in Kenya, received both BAFTA and Webby recognition and reinforced his reputation as a leading innovator in immersive media.

In recent years, Percy has increasingly integrated artificial intelligence into his practice, creating works that adapt to the user’s emotions, decisions, and interactions. Projects such as AI Basics: Thrills or Chills (2023) and the Adaptive-Media Interview Coach exemplify his commitment to exploring how AI can reshape creative expression and audience engagement. His TEDx talk, How to Save Lives with Interactive Film, highlighted his dedication to using new technologies not just for storytelling, but also for education and social impact. Throughout his career, Martin Percy has been recognised with a BAFTA, an Emmy, a Grand Clio, and more than a dozen Webby Awards. His work stands at the intersection of creativity and innovation, continually pushing the boundaries of how stories can be told and experienced.